Showing posts with label Barbara Kingsolver. Show all posts
Showing posts with label Barbara Kingsolver. Show all posts

Friday, October 1, 2010

A Miscellany of Books

Hmm....so what exactly have I been reading lately? Well, I finished off Barbara Kingsolver's The Lacuna and enjoyed it very much indeed. I would have said 'immensely', but I thought the latter third was a bit too fragmented to qualify for that. Still, it was good enough that I ordered The Poisonwood Bible from the web for less than charity shop price (£2.76), although I haven't started it yet.
The visit of Pope Benedict to the UK inspired me to buy the biography written by Rupert Shortt - I didn't quite manage to read it in its entirety while he was here (which was my intention) but still managed it pretty swiftly and it was very good - although not quite up to date with the latest events - but it did only cost 1p (plus p&p).
Another book that spans the divide between my academic and personal interests is Diarmaid McCulloch's tome The History of Christianity: The First Three Thousand Years which is a monster paperback that's going to take some getting through! A small section at a time, I think. Bart Ehrman's Jesus Interrupted was another purchase and although it's interesting, it's not the earth-shattering work I think he thinks it is. At least, not to me with my background in textual criticism.
The Husband, making his way slowly through Bill Bryson's book on small-town America The Lost Continent got a rude awakening when it was recalled by the library for another borrower, having already clocked up a fine, and has had to settle down with another Bryson offering: Neither Here Nor There: A Journey Around Europe which should probably hit the spot.
Daughter #3 having read and enjoyed Long Ago and Essentially True has started on a charity shop edition of Sylvia Plath's The Bell Jar, which was one of my personal teenage favourite reads. Everyone who reads it thinks that they're Esther.
I've also managed to purchase a number of academic books for my studies, the most interesting of which were a very lovely Douay-Rheims/Vulgata Clementina, which looks like a proper Bible and a print to order copy of the Septuagint (the Old Testament in Greek translation), which smells rather pleasantly of fresh ink and a tiny gold-edged, clasp-bound prayer book called The Key of Heaven: A Manual of Prayer for the Use of the Faithful, which has a picture of St Therese of Lisieux (her feast day today!) on the front and a crucifix concealed in a compartment within the front cover. It is very pretty, rather worn, and has obviously been used and loved well. I shall continue to love it and use it too.

Saturday, September 4, 2010

The Very Last of Summer

Well, the summer's technically over, the kids are back at school and Monday will see me nose down in my doctoral stuff again. I've had a tremendous time reading purely for pleasure over the 'holidays' and can't say that I'm really relishing a return to the dry prose of academia.
I followed The Elegance of the Hedgehog with Zafon's The Angel's Game, which I thought was a lot better than his Shadow of the Wind. It was a gripping page-turner, somewhat overblown in style (although I'd got into his idiom by then), with aspirations to be far more grand guignol than it actually is. A good summer read.
I then polished off The Book Thief by Markus Zusak, and although I thought it was an excellent conceit (narrated by the omniscient and surprisingly compassionate figure of death), I didn't think it was quite as good as I'd been led to believe. The characters were a little too wooden and uninvolving to provoke empathy ,and some (like the foster-mother and Max), didn't quite work for me. I had the sneaking suspicion that the author thought that the situation would be sufficient to arouse compassion and emotion, but the overall effect was strangely distancing. I also couldn't quite decide who it was aimed at (not that that is important in the long run): the older child-reader or adults? The format (bite size chapters, explanations and large-ish font-size) heavily suggested the former, but the scope and ambition seemed to flag up an older audience. Enjoyable enough, but not really thought-provoking or engaging.

My last book of the summer has turned out to be Barbara Kingsolver's The Lacuna, which will last me a while, I think. As soon as I opened it up, I realised that the writing in this novel is streets ahead of anything else that I have read recently. It's superbly well-written, which came as a refreshing change (probably because she writes in English and hasn't had to undergo some half-arsed translation process). The story is a slow burner, and none the worse for that - one of the gripes I had with Zafon was, in fact, the ridiculously fast pace at which characters fell in love for life, or situations evolved and were resolved. I am enjoying The Lacuna immensely at the moment, and intend to seek out her earlier work The Poisonwood Bible as and when I finish this one off, which - given my imminent return to study - may be some time!